Mozart: Requiem Mass in D minor, K.626
Barbara Bonney (Soprano), Anne Sofie von Otter (Mezzo-soprano), Anthony Rolfe Johnson (Tenor), Alastair Miles (Bass); John Eliot Gardiner (conductor); Monteverdi Choir and English Baroque Soloists
insensitivity: the key to destruction in relationships. it’s worse when it occurs in a relationship you thought was precious. it’s easy to take for granted the people we have around us. we can have fun, joke around, but there’s always that fine line which shouldn’t be stepped across. it varies amongst people, but it’s foolish to assume that such a thing does not exist, even amongst best friends or siblings.
you do not tell a person that you want to keep his composition so that you can use it as recycled paper to plan your essay. some people take more pride in their work, because they put their heart and soul (sorry for the cliché) in them. every work represents a creative journey and an embodiment of hard work and complicated thought processes, which naturally commands one’s slightest respect.
friendships are like candles. they light up our lives. but if you are not careful, you may just extinguish them, and they may never be willing to light up again.
i don’t care if you think i am being sensitive, but you’d better stand behind my yellow line.
Bach, J. C. F.: Symphony in D Minor for Strings, Wf I: 3
Reinhard Göbel (conductor); Budapest Festival Orchestra
Roundtable: 6 Composers on Dealing with Delusional Directors and ‘Fake Praise Rejection’ by The Hollywood Reporter
Ysaÿe: Six sonatas for solo violin, Op. 27, No. 4, ‘Fritz Kreisler’
Alina Ibragimova (violin)
All the world’s a stage,
And all the men and women merely players:
They have their exits and their entrances;
- from William Shakespeare’s As You Like It
(Photo taken on November 09, 2013 at Shakespeare’s Birthplace; Stratford-upon-Avon)
November 15, 2013: Gustavo Dudamel (cond.) and Philharmonia Orchestra @ Symphony Hall, Birmingham, U.K.
Mahler: Symphony No. 7
First Mahler concert; First Dudamel concert